{"id":150,"date":"2021-07-07T10:00:36","date_gmt":"2021-07-07T13:00:36","guid":{"rendered":"https:\/\/pos.uel.br\/letras\/?page_id=150"},"modified":"2025-09-17T09:06:51","modified_gmt":"2025-09-17T12:06:51","slug":"egressos","status":"publish","type":"page","link":"https:\/\/pos.uel.br\/letras\/egressos\/","title":{"rendered":"Egressos"},"content":{"rendered":"\n<p><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p><strong>Experi\u00eancias e Hist\u00f3rias<\/strong><\/p>\n<\/blockquote>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-columns alignwide is-layout-flex wp-container-core-columns-is-layout-829b1d53 wp-block-columns-is-layout-flex\" style=\"margin-bottom:0\">\n<div class=\"wp-block-column has-site-background-background-color has-text-color has-background has-link-color wp-elements-07ce8006480732064609018f40ddee4c is-layout-flow wp-block-column-is-layout-flow\" style=\"color:#000000;padding-top:2em;padding-right:2em;padding-bottom:2em;padding-left:2em\">\n<figure class=\"wp-block-image size-full is-style-default\"><img loading=\"lazy\" decoding=\"async\" width=\"443\" height=\"332\" src=\"https:\/\/pos.uel.br\/letras\/wp-content\/uploads\/2024\/08\/Captura-de-Tela-2024-08-10-a\u0300s-14.44.17-edited.png\" alt=\"\" class=\"wp-image-5201\" style=\"aspect-ratio:3\/2;object-fit:cover\" srcset=\"https:\/\/pos.uel.br\/letras\/wp-content\/uploads\/2024\/08\/Captura-de-Tela-2024-08-10-a\u0300s-14.44.17-edited.png 443w, https:\/\/pos.uel.br\/letras\/wp-content\/uploads\/2024\/08\/Captura-de-Tela-2024-08-10-a\u0300s-14.44.17-edited-300x225.png 300w\" sizes=\"auto, (max-width: 443px) 100vw, 443px\" \/><\/figure>\n\n\n\n<p class=\"has-text-align-center has-normal-font-size\" style=\"line-height:1.5\"><strong>Samantha Abreu<\/strong><\/p>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-css-opacity has-background is-style-wide\" style=\"background-color:#000000;color:#000000\" \/>\n\n\n\n<p class=\"has-small-font-size\">Mestra pelo PPGL (2019) sob a orienta\u00e7\u00e3o da Prof\u00aa Dr\u00aa Suely Leite. Produtora cultural do SESC \u2013 Cadei\u00e3o\/Londrina-PR. Escritora, poeta e autora dos livros <em>Os movimentos da cabe\u00e7a<\/em> (2024), <em>O cora\u00e7\u00e3o e o voo<\/em> (2021), <em>Debaixo das Unhas<\/em> (2020), <em>Pequena m\u00e3o da crian\u00e7a morta <\/em>(2018), <em>Mulheres sob descontrole<\/em> (2015), <em>Fantasias p\/ quando vier a chuva<\/em> (2011). Integra as antologias <em>O FIo de Ariadne<\/em> (2014), <em>29 de Abril: o verso da viol\u00eancia <\/em>(2015), <em>Um Dedo de Prosa <\/em>(2016), <em>Sob a Pele da L\u00edngua<\/em> (2018), <em>As Mulheres Poetas na Literatura Brasileira<\/em> (2021) e o e-book <em>ComVersas &#8211; Antologia Panor\u00e2mica<\/em> (2021). Ganhadora do pr\u00eamio <em>Outras Palavras <\/em>(2020), da Secretaria de Cultura do Paran\u00e1.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column has-site-background-background-color has-text-color has-background has-link-color wp-elements-951e09136fd8fe17e22586d69089478e is-layout-flow wp-block-column-is-layout-flow\" style=\"color:#000000;padding-top:2em;padding-right:2em;padding-bottom:2em;padding-left:2em\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"664\" height=\"443\" src=\"https:\/\/pos.uel.br\/letras\/wp-content\/uploads\/2024\/08\/Captura-de-Tela-2024-08-11-a\u0300s-09.59.54-edited.png\" alt=\"\" class=\"wp-image-5224\" style=\"aspect-ratio:3\/2;object-fit:cover\" srcset=\"https:\/\/pos.uel.br\/letras\/wp-content\/uploads\/2024\/08\/Captura-de-Tela-2024-08-11-a\u0300s-09.59.54-edited.png 664w, https:\/\/pos.uel.br\/letras\/wp-content\/uploads\/2024\/08\/Captura-de-Tela-2024-08-11-a\u0300s-09.59.54-edited-300x200.png 300w\" sizes=\"auto, (max-width: 664px) 100vw, 664px\" \/><\/figure>\n\n\n\n<p class=\"has-text-align-center has-normal-font-size\" style=\"line-height:1.5\"><strong>Renato Forin<\/strong><\/p>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity is-style-wide\" \/>\n\n\n\n<p class=\"has-small-font-size\">Mestre e Doutor pelo PPGL (2013\/2017) sob a orienta\u00e7\u00e3o da Prof\u00aa Dr\u00aa Sonia Pascolati. Professor colaborador do Departamento de Letras Vern\u00e1culas e Cl\u00e1ssicas da UEL. Coordenador de comunica\u00e7\u00e3o e curador do Festival de Dan\u00e7a de Londrina. Curador do Bibliocircuito (Biblioteca P\u00fablica de Londrina). Autor do livro-CD<em> Samba de uma noite de ver\u00e3o<\/em>, ganhador do 59 Pr\u00eamio Jabuti (2017) e Pr\u00eamio &#8220;Outras Palavras&#8221; (2020). \u00c9 autor de <em>Ovo<\/em>, ganhador dos Pr\u00eamio Liter\u00e1rios da Funda\u00e7\u00e3o Cultural do Par\u00e1 (2021) e Pr\u00eamio Arte Paran\u00e1 (2018).<br>&nbsp;<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column has-site-background-background-color has-text-color has-background has-link-color wp-elements-227c920634835f1728d4fc20a513cf03 is-layout-flow wp-block-column-is-layout-flow\" style=\"color:#000000;padding-top:2em;padding-right:2em;padding-bottom:2em;padding-left:2em\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"691\" height=\"581\" src=\"https:\/\/pos.uel.br\/letras\/wp-content\/uploads\/2024\/08\/Captura-de-Tela-2024-08-11-a\u0300s-10.04.10.png\" alt=\"\" class=\"wp-image-5228\" style=\"aspect-ratio:3\/2;object-fit:cover\" srcset=\"https:\/\/pos.uel.br\/letras\/wp-content\/uploads\/2024\/08\/Captura-de-Tela-2024-08-11-a\u0300s-10.04.10.png 691w, https:\/\/pos.uel.br\/letras\/wp-content\/uploads\/2024\/08\/Captura-de-Tela-2024-08-11-a\u0300s-10.04.10-300x252.png 300w\" sizes=\"auto, (max-width: 691px) 100vw, 691px\" \/><\/figure>\n\n\n\n<p class=\"has-text-align-center has-normal-font-size\"><strong>Ricardo Lima (Dalai)<\/strong><\/p>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity is-style-wide\" \/>\n\n\n\n<p class=\"has-small-font-size\">Mestre e Doutor pelo PPGL (2013\/2017) sob a orienta\u00e7\u00e3o da Prof\u00aa Dr\u00aa Sonia Pascolati. Docente do Departamento de Teorias Lingu\u00edsticas e Liter\u00e1rias na Universidade Estadual de Maring\u00e1. Possui poemas e contos publicados em colet\u00e2neas e livros did\u00e1ticos. \u00c9 autor das obras <em>Hist\u00f3rias bem-contadas: contos da tradi\u00e7\u00e3o popular brasileira<\/em>, &#8220;O pr\u00edncipe atrasado: uma par\u00f3dia teatral dos contos de fadas&#8221; e &#8220;Nove lendas urbanas aterrorizantes&#8221;, aprovadas no Programa Nacional do Livro did\u00e1tico (PNLD\/2020). Em 2022, publicou o romance autoficcional <em>Trinta e tr\u00eas<\/em>, pela editora Patu\u00e1.<strong>&nbsp;<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-columns alignwide is-layout-flex wp-container-core-columns-is-layout-829b1d53 wp-block-columns-is-layout-flex\" style=\"margin-bottom:0\">\n<div class=\"wp-block-column has-site-background-background-color has-text-color has-background has-link-color wp-elements-e25602e531d15e31c33e391d6f348056 is-layout-flow wp-block-column-is-layout-flow\" style=\"color:#000000;padding-top:2em;padding-right:2em;padding-bottom:2em;padding-left:2em\">\n<figure class=\"wp-block-image size-full is-style-default\"><img loading=\"lazy\" decoding=\"async\" width=\"504\" height=\"336\" src=\"https:\/\/pos.uel.br\/letras\/wp-content\/uploads\/2024\/08\/Captura-de-Tela-2024-08-11-a\u0300s-13.38.29-edited.png\" alt=\"\" class=\"wp-image-5239\" style=\"aspect-ratio:3\/2;object-fit:cover\" srcset=\"https:\/\/pos.uel.br\/letras\/wp-content\/uploads\/2024\/08\/Captura-de-Tela-2024-08-11-a\u0300s-13.38.29-edited.png 504w, https:\/\/pos.uel.br\/letras\/wp-content\/uploads\/2024\/08\/Captura-de-Tela-2024-08-11-a\u0300s-13.38.29-edited-300x200.png 300w\" sizes=\"auto, (max-width: 504px) 100vw, 504px\" \/><\/figure>\n\n\n\n<p class=\"has-text-align-center has-normal-font-size\" style=\"line-height:1.5\"><strong>\u00c1lvaro Canholi<\/strong><\/p>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-css-opacity has-background is-style-wide\" style=\"background-color:#000000;color:#000000\" \/>\n\n\n\n<p class=\"has-small-font-size\">Doutor pelo PPGL (2024) sob a orienta\u00e7\u00e3o da Prof\u00aa Laura Taddei Brandini. Produtor cultural, ator e videomaker. Diretor da produtora P\u00c1! Art\u00edstica, atuando em diversos projetos, na cria\u00e7\u00e3o, cocria\u00e7\u00e3o, coordena\u00e7\u00e3o de processos criativos e produ\u00e7\u00e3o executiva.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column has-site-background-background-color has-text-color has-background has-link-color wp-elements-fafdb21c7b00def3d70f903a9982c0ae is-layout-flow wp-block-column-is-layout-flow\" style=\"color:#000000;padding-top:2em;padding-right:2em;padding-bottom:2em;padding-left:2em\">\n<figure class=\"wp-block-image size-full is-style-default\"><img loading=\"lazy\" decoding=\"async\" width=\"523\" height=\"349\" src=\"https:\/\/pos.uel.br\/letras\/wp-content\/uploads\/2024\/08\/Captura-de-Tela-2024-08-11-a\u0300s-13.43.37-edited-1.png\" alt=\"\" class=\"wp-image-5247\" style=\"aspect-ratio:3\/2;object-fit:cover\" srcset=\"https:\/\/pos.uel.br\/letras\/wp-content\/uploads\/2024\/08\/Captura-de-Tela-2024-08-11-a\u0300s-13.43.37-edited-1.png 523w, https:\/\/pos.uel.br\/letras\/wp-content\/uploads\/2024\/08\/Captura-de-Tela-2024-08-11-a\u0300s-13.43.37-edited-1-300x200.png 300w\" sizes=\"auto, (max-width: 523px) 100vw, 523px\" \/><\/figure>\n\n\n\n<p class=\"has-text-align-center has-normal-font-size\" style=\"line-height:1.5\"><strong>Layse Barnab\u00e9 de Moraes<\/strong><\/p>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-css-opacity has-background is-style-wide\" style=\"background-color:#000000;color:#000000\" \/>\n\n\n\n<p class=\"has-small-font-size\">Mestra e Doutora pelo PPGL (2015\/2022) sob a orienta\u00e7\u00e3o do Prof. Dr. Luiz Carlos Santos Simon. Docente do Departamento de Comunica\u00e7\u00e3o da UNOPAR. Jornalista, poeta e escritora. Ministra diversas oficinas sobre Escrita e cura. Autora do livro de poemas <em>Molhados e escorregadios <\/em>(2024). Organizadora do ebook <em>Uma vontade enorme de gritar<\/em>: <em>Antologia de escritos do projeto &#8220;Escrita e Cura &#8211; Oficina de cria\u00e7\u00e3o liter\u00e1ria para mulheres&#8221;<\/em> na Cadeia P\u00fablica Feminina de Londrina.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column has-site-background-background-color has-text-color has-background has-link-color wp-elements-e7b56c73a6245c4da0a01537320b6baf is-layout-flow wp-block-column-is-layout-flow\" style=\"color:#000000;padding-top:2em;padding-right:2em;padding-bottom:2em;padding-left:2em\">\n<figure class=\"wp-block-image size-full is-style-default\"><img loading=\"lazy\" decoding=\"async\" width=\"466\" height=\"463\" src=\"https:\/\/pos.uel.br\/letras\/wp-content\/uploads\/2025\/01\/Captura-de-Tela-2025-01-21-a\u0300s-17.15.39.png\" alt=\"\" class=\"wp-image-6679\" style=\"aspect-ratio:3\/2;object-fit:cover\" srcset=\"https:\/\/pos.uel.br\/letras\/wp-content\/uploads\/2025\/01\/Captura-de-Tela-2025-01-21-a\u0300s-17.15.39.png 466w, https:\/\/pos.uel.br\/letras\/wp-content\/uploads\/2025\/01\/Captura-de-Tela-2025-01-21-a\u0300s-17.15.39-300x298.png 300w, https:\/\/pos.uel.br\/letras\/wp-content\/uploads\/2025\/01\/Captura-de-Tela-2025-01-21-a\u0300s-17.15.39-150x150.png 150w\" sizes=\"auto, (max-width: 466px) 100vw, 466px\" \/><\/figure>\n\n\n\n<p class=\"has-text-align-center has-normal-font-size\" style=\"line-height:1.5\"><strong>Amanda Crispim<\/strong><\/p>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-css-opacity has-background is-style-wide\" style=\"background-color:#000000;color:#000000\" \/>\n\n\n\n<p class=\"has-small-font-size\">Doutora pelo PPGL (2020) sob a orienta\u00e7\u00e3o do Prof. Dr. Luiz Carlos Migliozzi Ferreira de Mello. Docente de Letras-Portugu\u00eas da UTFPR (Curitiba). \u00c9 autora do livro <em>A poesia de Carolina Maria de Jesus: um estudo de seu projeto est\u00e9tico, de suas tem\u00e1ticas e de sua natureza quilombola<\/em> (2022), refer\u00eancia nos estudos sobre a obra de Carolina Maria de Jesus. Integra o Conselho Editorial respons\u00e1vel pela publica\u00e7\u00e3o da obra completa de Carolina Maria de Jesus, na editora Companhia das Letras.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-columns alignwide is-layout-flex wp-container-core-columns-is-layout-829b1d53 wp-block-columns-is-layout-flex\" style=\"margin-bottom:0\">\n<div class=\"wp-block-column has-site-background-background-color has-text-color has-background has-link-color wp-elements-556ed7fdc5464725cdd1ba3f8033d419 is-layout-flow wp-block-column-is-layout-flow\" style=\"color:#000000;padding-top:2em;padding-right:2em;padding-bottom:2em;padding-left:2em\">\n<figure class=\"wp-block-image size-full is-style-default\"><img loading=\"lazy\" decoding=\"async\" width=\"559\" height=\"573\" src=\"https:\/\/pos.uel.br\/letras\/wp-content\/uploads\/2025\/01\/Captura-de-Tela-2025-01-21-a\u0300s-17.45.52.png\" alt=\"\" class=\"wp-image-6687\" style=\"aspect-ratio:3\/2;object-fit:cover\" srcset=\"https:\/\/pos.uel.br\/letras\/wp-content\/uploads\/2025\/01\/Captura-de-Tela-2025-01-21-a\u0300s-17.45.52.png 559w, https:\/\/pos.uel.br\/letras\/wp-content\/uploads\/2025\/01\/Captura-de-Tela-2025-01-21-a\u0300s-17.45.52-293x300.png 293w\" sizes=\"auto, (max-width: 559px) 100vw, 559px\" \/><\/figure>\n\n\n\n<p class=\"has-text-align-center has-normal-font-size\" style=\"line-height:1.5\"><strong>Rodrigo Grota<\/strong><\/p>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-css-opacity has-background is-style-wide\" style=\"background-color:#000000;color:#000000\" \/>\n\n\n\n<p class=\"has-small-font-size\">Mestre e Doutor pelo PPGL (2009\/2020) sob a orienta\u00e7\u00e3o da Prof\u00aa Dr\u00aa Marta Dantas da Silva e do Prof. Dr. Frederico Garcia Fernandes. Cineasta, idealizador da Kinoarte (Instituto de Cinema de Londrina), S\u00f3cio da Kinopus. Autor de <em>Anota\u00e7\u00f5es para o leste<\/em>&nbsp;e&nbsp;<em>Fantasm\u00e1tika &#8211; Teoria para um Cinema Po\u00e9tico<\/em> (2023). Diretor de <em>Trilogia do esquecimento: Satori Uso<\/em> (2007), <em>Booker Pittman<\/em> (2008), <em>Haruo Ohara<\/em> (2010), filmes premiados em edi\u00e7\u00f5es do Festival de Gramado. Diretor dos longa-metragens <em>Leste Oeste<\/em> (2016), <em>Isto (n\u00e3o) \u00e9 um Assalto<\/em> (2018), <em>Passagem Secreta<\/em> (2021), <em>Noite e Dia &#8211; Lima Barreto, Obra &amp; Vida<\/em> (2023), <em>O Homem Crocodilo<\/em> (2024) e das s\u00e9ries de TV \u2013 <em>Super Fam\u00edlia<\/em> (2019), <em>Dramaturgias<\/em> (2024) e <em>Libert\u00e1rias<\/em> &#8211; <em>Mulheres Inspiradoras na Hist\u00f3ria do Brasil <\/em>(2024). <\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column has-site-background-background-color has-text-color has-background has-link-color wp-elements-06920c9b40a4769ae0820ac7c65aa321 is-layout-flow wp-block-column-is-layout-flow\" style=\"color:#000000;padding-top:2em;padding-right:2em;padding-bottom:2em;padding-left:2em\">\n<figure class=\"wp-block-image size-full is-style-default\"><img loading=\"lazy\" decoding=\"async\" width=\"546\" height=\"373\" src=\"https:\/\/pos.uel.br\/letras\/wp-content\/uploads\/2025\/01\/Roberta-Shizuko-Takamatsu-reproducao-Instagram-@kinopus_.jpg\" alt=\"\" class=\"wp-image-6696\" style=\"aspect-ratio:3\/2;object-fit:cover\" srcset=\"https:\/\/pos.uel.br\/letras\/wp-content\/uploads\/2025\/01\/Roberta-Shizuko-Takamatsu-reproducao-Instagram-@kinopus_.jpg 546w, https:\/\/pos.uel.br\/letras\/wp-content\/uploads\/2025\/01\/Roberta-Shizuko-Takamatsu-reproducao-Instagram-@kinopus_-300x205.jpg 300w\" sizes=\"auto, (max-width: 546px) 100vw, 546px\" \/><\/figure>\n\n\n\n<p class=\"has-text-align-center has-normal-font-size\" style=\"line-height:1.5\"><strong>Roberta Takamatsu<\/strong><\/p>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-css-opacity has-background is-style-wide\" style=\"background-color:#000000;color:#000000\" \/>\n\n\n\n<p class=\"has-small-font-size\">Mestre pelo PPGL (2020) sob a orienta\u00e7\u00e3o do Prof. Dr. Miguel Braga Vieira. Roteirista das s\u00e9ries de TV <em>Brincando com a ci\u00eancia <\/em>(2017) e <em>Super fam\u00edlia<\/em> (2019), estreadas na Tv Cultura e no Canal Brasil. Diretora da Produtora Filmes com Saqu\u00ea. Roteirista e diretora do filme <em>P\u00e9s que sangram<\/em> (2022), selecionado para a 26\u00aa Mostra de Cinema de Tiradentes. Roteirista dos filmes <em>Passagem secreta<\/em> (2021) e <em>Pequenos delitos<\/em> (2020).<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column has-site-background-background-color has-text-color has-background has-link-color wp-elements-043d65eb3b7fe1d929f41977b619c21b is-layout-flow wp-block-column-is-layout-flow\" style=\"color:#000000;padding-top:2em;padding-right:2em;padding-bottom:2em;padding-left:2em\">\n<figure class=\"wp-block-image size-full is-style-default\"><img loading=\"lazy\" decoding=\"async\" width=\"623\" height=\"437\" src=\"https:\/\/pos.uel.br\/letras\/wp-content\/uploads\/2025\/01\/Captura-de-Tela-2025-01-21-a\u0300s-17.48.02.png\" alt=\"\" class=\"wp-image-6690\" style=\"aspect-ratio:3\/2;object-fit:cover\" srcset=\"https:\/\/pos.uel.br\/letras\/wp-content\/uploads\/2025\/01\/Captura-de-Tela-2025-01-21-a\u0300s-17.48.02.png 623w, https:\/\/pos.uel.br\/letras\/wp-content\/uploads\/2025\/01\/Captura-de-Tela-2025-01-21-a\u0300s-17.48.02-300x210.png 300w\" sizes=\"auto, (max-width: 623px) 100vw, 623px\" \/><\/figure>\n\n\n\n<p class=\"has-text-align-center has-normal-font-size\" style=\"line-height:1.5\"><strong>Marina Stuchi<\/strong><\/p>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-css-opacity has-background is-style-wide\" style=\"background-color:#000000;color:#000000\" \/>\n\n\n\n<p class=\"has-small-font-size\">Mestre e Doutora pelo PPGL (2012\/2020) sob a orienta\u00e7\u00e3o da Prof\u00aa Dr\u00aa Sonia Pascolati. Atriz, produtora, roteirista e diretora do curta <em>Manicure<\/em>. Roteirista do curta Como cheguei at\u00e9 aqui (2022). Diretora e idealizadora do projeto performo-palestra&nbsp;<em>Me chame pelo meu nome<\/em> (PROMIC, 2023). Trabalhou na produ\u00e7\u00e3o de v\u00e1rios projetos de cinema, ministra oficinas sobre viol\u00eancia de g\u00eanero. T\u00e9cnica cultural do SESC-PR.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-secondary-accent-color has-alpha-channel-opacity has-secondary-accent-background-color has-background is-style-wide\" \/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p><strong>Perfil do Egresso do PPGL<\/strong><\/p>\n<\/blockquote>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>O acompanhamento dos egressos \u00e9 um importante instrumento de autoavalia\u00e7\u00e3o, na medida em que permite a an\u00e1lise do real alcance do objetivo geral do curso, isto \u00e9, formar e qualificar profissionais t\u00e9cnica e cientificamente para o exerc\u00edcio de atividades de ensino e pesquisa em Letras\/Estudos Liter\u00e1rios, de maneira a atender a demanda de institui\u00e7\u00f5es de ensino superior, buscando paralelamente a melhor interse\u00e7\u00e3o entre gradua\u00e7\u00e3o e p\u00f3s-gradua\u00e7\u00e3o. O PPGL tem atentado para o acompanhamento dos egressos, procurando obter as mais diversas informa\u00e7\u00f5es no \u00e2mbito profissional dos ex-alunos como forma, sobretudo, de sempre pensar a proposta do curso e propor a\u00e7\u00f5es para que seus objetivos sejam alcan\u00e7ados. <\/p>\n\n\n\n<p>Conforme nosso acompanhamento de egressos, apresentamos os egressos a partir de 2019 com suas respectivas atividades profissionais atuais. Cabe ressaltar que de alguns egressos n\u00e3o foi poss\u00edvel, no momento, obter informa\u00e7\u00f5es sobre suas atividades.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><a href=\"https:\/\/pos.uel.br\/letras\/titulados-em-2025\/\" target=\"_blank\" rel=\"noreferrer noopener\">Titulados em 2025<\/a><br><a href=\"https:\/\/pos.uel.br\/letras\/titulados-em-2024\/\" target=\"_blank\" rel=\"noreferrer noopener\">Titulados em 2024<\/a><br><a href=\"https:\/\/pos.uel.br\/letras\/titulados-em-2023\/\" target=\"_blank\" rel=\"noreferrer noopener\">Titulados em 2023<\/a><br><a href=\"https:\/\/pos.uel.br\/letras\/titulados-em-2022\/\" target=\"_blank\" rel=\"noreferrer noopener\">Titulados em 2022<\/a><br><a href=\"https:\/\/pos.uel.br\/letras\/titulados-em-2021\/\" target=\"_blank\" rel=\"noreferrer noopener\">Titulados em 2021<\/a><br><a href=\"https:\/\/pos.uel.br\/letras\/titulados-em-2020\/\" target=\"_blank\" rel=\"noreferrer noopener\">Titulados em 2020<\/a><br><a href=\"https:\/\/pos.uel.br\/letras\/titulados-em-2019\/\" target=\"_blank\" rel=\"noreferrer noopener\">Titulados em 2019<\/a><br><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Experi\u00eancias e Hist\u00f3rias Samantha Abreu Mestra pelo PPGL (2019) sob a orienta\u00e7\u00e3o da Prof\u00aa Dr\u00aa Suely Leite. Produtora cultural do SESC \u2013 Cadei\u00e3o\/Londrina-PR. Escritora, poeta e autora dos livros Os movimentos da cabe\u00e7a (2024), O cora\u00e7\u00e3o e o voo (2021), Debaixo das Unhas (2020), Pequena m\u00e3o da crian\u00e7a morta (2018), Mulheres sob descontrole (2015), Fantasias [&hellip;]<\/p>\n","protected":false},"author":9,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-150","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/pos.uel.br\/letras\/wp-json\/wp\/v2\/pages\/150","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pos.uel.br\/letras\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/pos.uel.br\/letras\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/pos.uel.br\/letras\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/pos.uel.br\/letras\/wp-json\/wp\/v2\/comments?post=150"}],"version-history":[{"count":143,"href":"https:\/\/pos.uel.br\/letras\/wp-json\/wp\/v2\/pages\/150\/revisions"}],"predecessor-version":[{"id":10563,"href":"https:\/\/pos.uel.br\/letras\/wp-json\/wp\/v2\/pages\/150\/revisions\/10563"}],"wp:attachment":[{"href":"https:\/\/pos.uel.br\/letras\/wp-json\/wp\/v2\/media?parent=150"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}